Postproduction suites essentially need the same transparent acoustic environment characteristics as a control room. Post-production recording spaces typically have dry acoustics for ADR and foley recording sessions. Just about everything on film or TV is now produced in sophisticated multimedia production suites. In small production rooms the trick is to integrate all elements of the equipment into the acoustic design. We design for the optimal balance between room ergonomics and acoustical results. We understand how important it is for a sound engineer to be comfortable in order to work efficiently through long editing sessions.